Hands full, gloves on, phone ringing…

Saron DemessieAtlanta, Georgia · Eastern time, one hour off US Central
I buy the media and I make the creative that runs in it. Most teams hire two people for this, and the handoff between them costs about a week every time an ad needs replacing.
I have a studio team behind me for production volume, so a heavy month does not turn into a slow one. Meta and TikTok. Furniture, food, beauty, health, real estate and home services.
Reviews, competitor ad libraries and your sales calls, tagged by pain, objection and awareness level.
One page per concept. Angle, hook variants, format, overlays, and the reason it might fail.
Statics, carousels, motion cutdowns, UGC direction. Two to four hooks on the same body.
One test campaign, fixed budget, equal exposure, and no edits for the first 72 hours.
Hook rate, hold rate, click-through and cost per result at day 3 and day 7, against this account’s own history.
New hooks, then a new angle, then a new format. Each one written down before the next week starts.
A US studio doing paid social, brand and decks for contractors, home services and local businesses. I run the studio’s own Meta and TikTok account and client accounts alongside it, with a team of editors, designers and campaign support working to my briefs.
A new studio that had to build the ad account and the creative library from nothing, with no earlier results to judge anything against. Our own money, so waste turned up the same week it happened.
Built the account, wrote the angles, produced the creative, ran the tests. The ad and the landing page say the same thing because one person made both.
From May 25 to August 22, 2026 the account ran at a 5.0% click-through rate and $0.89 a click. It is our account, so the export goes out with nothing blacked out.

CON-c1-missed-call-leadsEvery Missed Call Is a Lost JobGet offer
CON-c6-emergency-leadsEmergency Calls Go to Who Answers FirstGet offer
CON-c3-roof-leadsCan’t Answer from the Roof?Get offerAgency side, running client accounts and the campaigns inside them.
Creative came from one team, buying from another, and the account manager sat in between. A bad week belonged to whichever half you asked.
I took accounts across both halves. Wrote the brief, built the campaigns, and held a campaign on one identity while four people worked on it.
Replacement creative turned around faster, because the person reading the numbers was the person making the next ad.
Contract, in-house at a furniture retailer. Expensive product, a showroom, and a decision that took weeks.
Television spots and social ads made by different people to different rules, for one company, against a buying cycle nobody was measuring.
Put television and social on one identity, made the product campaign material, and ran Meta against it. Retargeting split by time since visit instead of one catch-all audience.
On furniture that expensive, the ad has to answer the objection. Delivery, warranty, financing and assembly moved more than another styled photograph did.
Lead-generation creative and landing pages for a flooring company, digital and print, all built off one visual system so every new piece reads as the same business.
First role, and where the seven years of design start. Marketing support and production work.
| Account | Platforms | What I owned | Period |
|---|---|---|---|
| Amatista Creatives, our own | Meta, TikTok | Buying and creative, end to end | 2025 to now |
| Studio client accounts | Meta, TikTok | Buying and creative | 2025 to now |
| Agency clients, Ultra Communications | Meta | Campaigns and creative direction | 2022 to 2023 |
| GM Furniture, in-house retail | Meta | Campaigns, plus television and social material | 2019 to 2022 |





Concept, art direction and production are mine on all five. Where one ran as paid media I can send the reporting behind it with the client name removed.


Ten fictional brands, labeled as spec on every slide. Tap a cover for the 1920px frame.
Daily, nothing unless something broke: pacing, disapprovals, and leads landing where they should.
Weekly, a one-page scorecard with spend, clicks, cost per result, and a change log saying what I changed and why.
Monthly, what the tests taught us and next month’s angle plan.
Both. Three years in Ads Manager, seven designing. A tired ad gets four new hooks the same afternoon instead of a ticket to somebody else.
Took our own account from nothing to a 5.0% click-through rate at $0.89 a click between May 25 and August 22, 2026, doing the buying and the creative myself.
Meta and TikTok Ads Manager, and the creative for both.
Access and a tracking check on day one. Baseline agreed by day three off ninety days of history. The structure changes get identified and the first concepts briefed by Friday, then we make the changes and launch in week two.
A few hundred reviews, the support threads and your sales calls, tagged by pain, desire, objection and awareness level. Then I write hooks for the top three nobody in the category is running.
Usually a cheap new ad pulling unqualified volume. I check the lead source mix, the form, and time to first contact, then pause that ad before touching anything else.
I run the account and set every brief. A studio team handles production volume behind me, editing, design and campaign support, which is how output holds up when spend goes up. You deal with me.
Atlanta, Eastern time, which overlaps US Central by all but an hour. Contract or part time, and the studio can take more on if the account needs it. Pricing depends on scope, so let us discuss it.
Send me the ad account’s last thirty days and the ad you think is working.
I will come back with what I would change in week one and three concepts I would test against it, before either of us mentions a contract.